Pier on Pensacola Beach, Pensacola, Florida. Kodachrome 64, Canon 620 November 2010
The other night I had the opportunity to head out to the plains to the east of Denver to the parents’ home and land of my co-worker, Tori. She had been telling me about all of the “old stuff” that her dad has collected over the years…tractors, cars, boats, bathtubs and whatnot. Her parents, Betty and Al, couldn’t have been nicer and more welcoming to let a guy snoop around their stuff with his camera. An odd request, but one that the Labs family setup and let me carry out without question or hesitation. I am so grateful for the opportunity and had a wonderful time photographing Al’s old stuff. It happened to be the first day of summer and it couldn’t have been a nicer evening.
After the sun went down, they graciously invited me to partake in tacos with them, over which the Labs shared some stories about the area and the items Al had collected. I’m convinced that Al could tell you exactly where he got all of his collectibles and the history about each item. And he has a lot of stuff.
For instance, this old Farmall M tractor, according to Al, was the third of its kind to ever be purchased in the state of Colorado.
Additionally (Al, I apologize for not remembering the gentleman’s name), an original owner of this tractor drove it while towing a combine from the area to the east of Denver to west Texas in one day along two-lane highways in the 1940’s. Quite a journey to take, let alone on a tractor! Quite a sight, too, I imagine.
This is one of many old tractors Al has proudly displayed on his land, and their slice of the Colorado land is quite spectacular in its own right. Unobstructed views in every direction. And quiet. Peacefully quiet.
Al also has several ’57 Chevy’s. One is for parts. The other we pushed onto a trailer, as it was getting upholstered the next day. This one is in the process of becoming a hot rod. I hope to see it when it’s done! And the third is their cruisin’ Chevy. It’s white. It’s a convertible. It’s wonderfully imperfect and full of character. I got to drive it, well, at least to move it to where I wanted it. Al told me not to run into anything.
Don’t hit anything. And if I do, I’ll dig a hole in the ground right here and crawl into it.
I didn’t hit anything. Otherwise, I probably wouldn’t have gotten tacos. And that would have been really unfortunate.
I took quite a number of photos and will continue to post more as I get through them. I haven’t had the color film processed as of yet, but following are some images I took with my Canon AT-1 and Kodak Plus-X 125 black and white film.
I hope you enjoy these as much as I enjoyed taking them. Thank you so much, Betty and Al, for your generosity, for letting me snoop around your land and for the tacos!
I shot the images below with a Canon AT-1, 50mm f1.4 on Kodak Plus-X 125.
Last September, I took off for an overnight excursion to the Collegiate Peaks Wilderness in hopes of capturing some beautiful Colorado autumn images. While the aspens trees were just past peak, I was able to get some great nighttime shots and sunrise shots around the summit area of Cottonwood Pass, such as this one of the relatively nondescript Jones Peak. A “thirteener” by measure. This was taken about an hour after sunrise. I love the earthtones in this image as this area of high altitude tundra begins is journey into winter. I look forward to returning to this area during the other seasons in the future to capture this area’s seasonal costumes.
These pots live on a shelf above our fireplace and television. I’ve always liked them for their smooth shapes and thought it’d be fun to photograph them in some way. I decided simple was the way to go. Their smooth texture is contrasted nicely against the rough finish of a concrete wall and distressed plank. Shot on Efke 25 black and white film, developed in Kodak TMax developer.
Flowers are a common photography subject. Overdone, really. But that’s not going to stop me from shooting and sharing my shots of them. From a photographer’s perspective, they’re actually great subjects to shoot. They’re vibrant. They’ve got texture. Their petals, stems and leaves create challenging shadows, much like a human face.
Flowers make great practice in any kind of studio or available light situation.
I took this quite a number of months ago; I’ve just never shared it. I revved up the blacks to create mood and provide focus on the brilliant yellow sunflower, a flower that just might become my favorite.
Shot with Canon 40D, 17mm T/S lens (sweet!), off camera flash stuck in a shoot-through umbrella at camera left and a bit behind the flower.
I bought film today.I’ll say it again. I bought film today. I bought a roll of Tri-X 400 and a roll of E100G chromes.I bought film today.
It has been at least 7 years since I have bought film, and at that, it was a bulk roll of Tri-X 400. It was on a photo excursion in the Holy Cross Wilderness with a good friend that I last shot film. It was on this trip that I realized the convenience and versatility of digital photography. And the importance of having plenty of battery power. I haven’t shot a frame of film since.
About a year and a half ago, my uncle kindly handed down to me my grandfather’s Leica M3. It’s a beautiful dinosaur. A relic from an era rapidly vanishing…but seeing a resurgence I hear. And hope. The M3 has sat on my desk. On top of my bookshelf. It has rested in my hands, the subject of my wondrous gaze. This is a camera. This is the essence of photography. There isn’t a single solitary “auto” anything on it. Who remembers the phrase “motor drive,” or “film advance”? The M3 has a double stroke manual advance. The Leitz 13.5cm lens has…drum roll…an aperture ring. There aren’t halves or thirds of stops. There are stops. 4.5. 5.6. 8. 11. 16. 22. 32. It doesn’t have a meter. It has no brains. The photographer is the meter. The photographer is the brains of the operation. This is just a beautiful tool that makes no apologies and no room for error. It beckons and dares you to take a frame.
Do it. If you can.
Well, I bought film today. Under no pretense that I think I’m worthy of using this finely crafted contraption of metal and glass. Just with the excitement of shooting film…chromes, no less. And re-inserting myself into the process. This will be a project I embark upon methodically and enthusiastically.
I just wish it had an LCD so I can chimp my images.
Look for posts of results from my time with my grandfather’s M3 in a few weeks. Hey! It’s FILM!
As mentioned yesterday, there is a well-tended garden near my son’s daycare. This morning, I stopped to get the flowers juxtaposed against the utility boxes. I believe the owner of the house adjacent to this gem of a garden is the mastermind. I’m sure the utility companies aren’t too thrilled with it, but the area of metal boxes is much more…poetic with a flower garden flourishing around it. It’s one of the things that makes a neighborhood a neighborhood. And, well, it has caused me to stop the car to take some pictures on more than several occasions.
Thanks for the look!